all you needed to know about selling your cow

sailing down the river

The Gandak is a majestic river, draining in its wake more than seven thousand square kilometres of land as it flows down to meet the Ganga. The meeting is of course, legendary. Not just because it is an extremely beautiful confluence of rivers but also because it is the site of Asia’s biggest congregation for trade in livestock. Since two smaller tributaries also join the Ganga at this point in its course, the Sonepur fair is quite strategic in its location vis-a-vis trade, both on land routes as well as waterways.

The fair sees much more than the regular rural livestock trade in cattle, horses, camels and sheep. The range of animals includes rare bred dogs, elephants, cats, monkeys and rabbits. And if Alsatians and Terriers weren’t enough for those fond of domestic animals, then there is a large variety of birds, some even as rare as the Snow Partridge that is usually found in much colder climate and the Grey-headed Parrot from the hills near Darjeeling, which are lined up for sale. The ways in which this annual fair links itself to a number of interconnected networks of trade in the local region as well as the other parts of the world is hard to imagine. A simple tabulation of different kinds of animals and goods that are bought and sold at Sonepur, both legally and illegally is a massive and daunting task. In terms of illegal trade, snakes, bears and intoxicants of a large variety are easy answers but on digging deeper, there are a lot of stories left to tell about Sonepur’s thriving trade environment.

 Sonepur, by itself, is a largely unassuming city. One could get by without much effort while being quite taken by some of its singularities. The old Gandak Railway Bridge is one such example – more than two thousand feet long and completed in 1887 during some of the river’s furious years. With the regular floods in Bihar during the last years of the nineteenth century and the successive floods in the last few decades, Sonepur’s culture and social life has survived just like its famous landmark. The first railway platform at the Sonepur railway station is another such marker to anyone stepping foot in the city. Far longer than the more famous bridge, this platform is one of the longest in the world, stretching to more than two thousand four hundred feet. But these dimensions slowly seem to cease as the fair makes claim to the pulse of Sonepur’s life.

Celebrations during Kartik Purnima

The Kartik Purnima is an auspicious day for Hindus and Sonepur’s charm is the throbbing life on this full moon night, filled with devotees lining up to take a dip at the confluence of two mighty rivers. Many stay on for the entire fortnight of the festival while others leave within the next few days although trade goes on well into a month from the date of the Kartik Purnima. The story goes that the Mauryan Empire bought its warhorses and elephants from Sonepur after breeders had travelled for miles to arrive at the banks of this confluence. Most local tales around the fair’s origins describe the confluence as one of five rivers, as famous as the kind of animals that frequented the annual fair – Persian horses, Burmese elephants and rare birds and animals along with elaborate displays of pottery and textiles from the span between Central Asia and the Gangetic belt.

The first day also marks the worship at the Harihar Nath temple, which is the epicentre of activity on that day. Offerings and ablutions are part of the rituals and needless to say, there is a fair bit of waste that accumulates around the fair. While public toilets are scant, relief mostly presents itself in the proximity between the mango groves where the fair is held and the tourist accommodation. The routes are lined with regular forms of entertainment – fortune tellers, soothsayers and those trained in various human feats like trapeze art or the more spectacular acts like walking on burning coal.

An all-male crowd watches a dance show in progress

In many senses, the fair is also a reality check. One would be quite taken aback by the vigour that nightly dance shows are treated with. It has been regular practice, for the last few years, to hold nightly dance shows where women take the stage to dance to the most popular dance tracks of the year as well as the older well-known songs. It should suffice to say that this is a comment on one facet of the gendered economy in this part of the world. While many commentators have called these shows ‘vulgar’, leading to the State Government’s ban on these shows in 2011, it was an open secret that these shows continued in local venues. That there is marketability to such practices gives a foreign visitor, even from a city a hundred miles away, that there is a strong clash between the national discourse on women’s empowerment and the prevailing economic and social constraints for women in most parts of India.

Additionally, while trade in endangered birds and animals is otherwise illegal, it is a flourishing activity in the backdrop of this popular fair. The district administration takes many measures to clean up the negative publicity that the Sonepur fair gets every year but little in terms of results is discernible. Sonepur, by and large is distracting because there is so much to take in at any point of time. While there are so many concerns with how the fair progresses, there is also the visibility of different forms of livelihood on such a massive scale. From potters to the makers of different weapons and artefacts, one can easily find some interesting story to hear – of some new kind of trade or craft which puts into perspective many other things that one sees in life outside Sonepur in Bihar.

Birds of a feather...

Bihar is a state in India that is hardly well-known for things considered great by the national media. Many of its stories and its problems are unheard of and the few times that one hears of them are hardly remembered amidst the blaze of information. That it can provide a lot of fodder for thought to any curious traveller in South Asia is needless to say. Sonepur is perhaps one of those places to start with, in Bihar. The range of art, especially the Madhubani art from the region, the architectural and historic attractions of the region’s Buddhist and Jain history, and the excellent street food is enough to make a visit to Sonepur memorable. The must-eat is of course the ‘bhang ka pakoda’, a fried snack laced with cannabis resin, that is otherwise a delicacy on the famous festival of Holi around the country and in our case, a regular with visitors to Asia’s biggest cattle fair.